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The Migrant's Time: Rethinking Art History and Diaspora (Clark Studies in the Visual Arts) [Saloni Mathur] on lymademula.gq *FREE* shipping on qualifying offers. The Migrant's Time. Rethinking Art History and Diaspora The conditions of alienation and exclusion are inextricably linked to the experience of the migrant.
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May I buy in bulk and do you offer discounts for bulk buying? How to purchase For a product displaying a "Add to Cart" button the product can be purchased directly on PriceCheck's Marketplace. As Cuban performance artist Tania Bruguera notes 'Immigrants are the subject of the twenty first century.
They must avoid the exploitation and commodification of migrant artists whilst simultaneously rejecting the wider notion of art as commodity, in favour of art as experience. They must move beyond basic and superficial surveys of migrant art solely curated by those educated in the West, towards a long-term commitment to diversifying art institutions and the stories they tell including who tells them and where. But this is old hat.
In the context of a dehumanising rhetoric around immigration and increasing compassion fatigue, the success of the visual arts in its ability to encourage empathy by means of story-telling is undeniable. Rather than solidifying the divisive political boundaries between 'them' and 'us', contemporary art brings the two closer together, acting as a mirror to universalise the migrant experience. The potential of art in the migrant crisis is, however, often limited to its therapeutic or cultural benefits and its capacity to present refugees and migrants as more than the sum of their stereotypes.
Although I would argue these are indeed worthwhile, artistic practice can also help us to imagine impossible possibilities otherwise abandoned in politics and law, which could yet take hold and produce concrete solutions, i. With little progress towards a truly humanitarian response to the migrant crisis, it is this new and radical potential that should no longer remain undervalued. Emine Yeter completed the MSc Migration Studies at Oxford in and has spent the past year interning in the refugee and migrant arts sector in London.
IMI does not have an institutional view and does not aim to present one. The views expressed in this blog are those of individual authors.
MSc Migration Studies alumnus Jonathan Paul Katz examines the role of plain language in communication and its importance in communicating with people with disabilities, including migrants with disabilities — especially in interactions with local government. Professor Ibrahim Sirkeci charts the history of reciprocal migration between Turkey and the UK and predicts future movements.
Click 'Find out more' for information on how to change your cookie settings. Continue Find out more. Skip to main content. Blog On contemporary art and migration.